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Knight Rider, Saved by the Bell Comic Books On the Way

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NewsRobert Bernstein7/2/2013 at 6:44AM

NBC has tapped Lion Forge to bring some of their classic 80s TV Shows to the comic book world...

NBCUniversal has partnered with Lion Forge Comics to develop licensed comic books based on some wildly popular 80s and 90s TV shows.  Lion Forge will write, develop and publish digital comics based on Knight Rider, Saved by the Bell, Miami Vice, Punky Brewster and Airwolf.

Lion Forge has already tapped a few well-known writers for the projects, such as Joelle Sellner (Teen Titans), Jonathan London (Geekscape), and Geoffrey Thorne (Ben 10).  Jason Johnson and Lion Forge's own Carl Reed and Lorenzo Lizana will create the artwork.

"Partnering with the team at Lion Forge to bring classic TV properties to life in graphic novel format was a natural step for us as we continue to identify new ways to entertain our fans in the digital space," said Chris Lucero, director of Global Consumer Products Licensing for NBCUniversal Television. "We're excited to give fans a chance to revisit some of their favorite shows and characters in a completely new way."

The comics will be distributed beginning this Fall.

It sounds like Lion Forge will be creating comic books from the storylines already written in the shows (hopefully the comic books will stay away from Saved By The Bell: The College Years) rather than creating new stories utilizing the well-known characters, which is unfortunate because, I don't know about you, but I'd like to see new antics from Zack Morris.


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Hellboy 3 Might Happen say Guillermo del Toro and Ron Perlman

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NewsMike Cecchini7/2/2013 at 7:58AM

It's been five years since Hellboy 2, but according to Ron Perlman and Guillermo del Toro, there's still a chance they could do one more together! UPDATED!

The Hellboyfranchise may have some life in it, after all! While 2008's Hellboy IIdidn't quite live up to the promise of the first one, it still left plenty of room for further exploration. And when you consider the fact that Mike Mignola's Hellboycomics span hundreds of single issues and dozens of graphic novels, it should become pretty clear that the Hellboyuniverse could use a little more cinematic exploration.
 
At a press junket for Pacific Rim, Hellboydirector Guillermo del Toro and star Ron Perlman had a few things to say that indicate that there's still hope that fans will see a Hellboy IIIin the not-too-distant-future. Del Toro acknowledged to Shock Till You Drop that Perlman had expressed interest in putting on the red makeup again, while Perlman confirmed that Hellboy III"needs to be twice as big" as the first two films in the series. "It's all of these oracles coming home to roost with these apocalyptic things taking place."

Perlman also had high praise for del Toro, insisting that "not just anybody can make this movie. It has to be somebody who's no stranger to this sense of scope." Of course, Perlman's endorsement isn't completely without reservation. "For me to do Hellboy III,  it could kill me...in terms of physically demanding, for a guy my age, but it's worth it because anyone who sits and listens to Guillermo's version of how this thing ends is completely seduced."

You can read more of Perlman's Hellboy 3 thoughts (including the possibility of the film getting picked up by Legendary Pictures) over at Shock Till You Drop!

UPDATED: Well, it would seem that Perlman and del Toro haven't taken into account the one mystical force that not even Hellboy can stand up to: lawyers. While del Toro had hinted that perhaps Legendary Pictures could help make Hellboy III happen, Legendary's Thomas Tull had this to say: "Seeing as how we don't own the rights to Hellboy, there may be lawyers that would be upset about that." In the words of Hellboy himself..."aw, crap." You can read more from Tull over at i09.

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Ah,.. better not make a trilogy. Almost all of them fail somewhat in the third film.

Under the Dome, Into the Fire, Review

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ReviewMarc Buxton7/2/2013 at 9:31AM

Even the simplest disasters can become a cataclysm in Stephen King's domed community.

As usual with a Stephen King story, it’s the things you don’t see that really chills the blood. So far, one of the most effective techniques used in Under the Dome is only giving the viewers glimpses of what is happening just beyond the Dome. These glimpses heightens the show’s tone of extreme paranoia as audiences only get a peak beyond the dome, and of course, no one outside Chester’s Mill can hear or interact with those within the Dome creating a sense of paranoid voyeurism. It’s like being in the world’s biggest reality show as human drama and suffering are trapped within the dome and all those outside can just watch.  The most effective visual in this week’s episode is when young Ben and Joe (played by John Elvis and Colin Ford) find the bottom half of a bisected body. The two young men can only stare at the blood trail left by the bisected torso as it was dragged away from the Dome. What dragged it way? The military, an animal, who knows? This sense of the unknowable happening beyond the dome creates a chilling tone that permeates every moment of the show.

This episode did have its hiccups that differentiate it from the pitch perfect pilot. For instance, the cliché flashback dream in which we learn how and why Barbie ended up killing Julia’s husband. It’s heavy-handed and clumsy, and the big no no of telling instead of showing. Barbie, a calm, efficient veteran leaves his dog tags at the murder scene, creating a sense of urgency that he will get caught. Sorry, not buying it, everything Barbie does is effectively crisp, he is a calming force within the chaos under the dome, and I’m just not buying he would leave such obvious evidence behind. That aside, the rest of the episode is spent establishing antagonists Big Jim and his almost serial killer son Junior. As Big Jim consolidates more power by gaining the trust of Chester’s Mill, Junior continues to unravel. Junior is the atypical King villain, a dark heart hidden beneath a veneer of normalcy, and his scenes are especially effective. When one considers that his father, who is quickly becoming the most important figure in the increasingly desperate town, probably suffers from the same instability, it is a particularly frightening notion.

The episode ends with a big set piece and reminds us that even the simplest disasters, one usually taken care of by organized infrastructure, can become a cataclysm on a grand scale. Wanting to hide some sort of secret regarding his shady business dealings, Big Jim sends the world’s most incompetent reverend (played by the spectacularly gaunt Ned Bellamy) to steal evidence from the recently deceased sheriff. Reverend Coggins ends up burning the house down, and Chester’s Mill and the audience is reminded of what severe damage a fire can do to a town that has no means of escape or support. Big Jim uses the crisis to further solidify his hold on the town by saving the day, but as everyone sees the smoke hanging in the sky, unable to dissipate thanks to the dome, the episode closes out with a reminded of just how dire a situation everyone is in, particularly since they are turning to the fascist father of a maniac.

 

Den of Geek Rating: 3 Out of 5 Stars

 

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Vertigo Launches New Titles, Release Details About Sandman!

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NewsMike Cecchini7/2/2013 at 12:30PM

UPDATED! The DC Comics imprint famous for series like Sandman, Preacher, and many more, has six new series launching this Fall...including Sandman: Overture by Neil Gaiman and J.H. Williams III...

The perception recently has been that Vertigo, the decidedly non-superhero wing of DC Entertainment that was responsible for many of the finest comics of the last two decades, has been floundering. Few Vertigo series have made the kind of impact that the imprint has been known for in the past (although the recently launched The Wake by Scott Snyder and Sean Murphy looks like it's taking off just fine!). However, beginning this October, Vertigo looks to make their presence known once again with a new wave of titles, spearheaded by a return to the world of the Sandmanby Neil Gaiman and J.H. Williams III.

The bi-monthly Sandman: Overture will certainly be the flagship title of Vertigo's revival, and the first issue hits shops on October 30th. Gaiman describes the book as "the one story we never quite got to tell," and it details what Morpheus was up to before he was captured in the opening pages of Sandman#1. "This is our chance to tell that story," said Gaiman, "and J.H. Williams is drawing it. It's the most beautiful thing in the world."

"Neil Gaiman returning to the lush, evocative world he created with Sandman is a literary event," said Diane Nelson, DC Entertainment President. "We're honored to have Neil back for a story only he and J.H. can tell. It's a testament to the lasting power of Vertigo, Sandman, and Neil's amazing creativity."

Check out these other tantalizing new offerings from Vertigo! Check out these early descriptions, courtesy of Vertigo!

HinterkindDecades after “The Blight” all but wiped out the human race, Mother Nature is taking back what’s hers and she’s not alone…all the creatures of myth and legend have returned and they're not happy. After her grandfather disappears, Prosper Monday must leave the security and seclusion of her Central Park village to venture into the wilds to find him, unaware of how much the world has changed. An epic fantasy adventure set in a post-apocalyptic world, Hinterkindis written by Ian Edginton and illustrated by Francesco Trifogli, and debuts this October. 

The Discipline:  Launching this December, The Disciplineis a dark, erotic thriller about a privileged young woman named Melissa who is thrust into a centuries old battle between good and evil. She begins an affair with a mysterious man named Orlando who opens her eyes to a sexually sinister world she never knew existed. Through this ritualistic seduction (“The Discipline”), Orlando unlocks Melissa’s inner power and then enlists her into a shadowy war that has been fought for centuries. The Discipline comes to you from writer Peter Milligan and artist Leo Fernandez. 

Dead Boy Detectives: Spinning out of the pages of Neil Gaiman's Sandman, two dead British school boys star in their own monthly series and solve crimes in the 21st century with the help of a new female accomplice. Premiering in November, DeadBoy Detectives is written by noted British novelist Toby Litt with layouts and painted covers by Mark Buckingham (Fables).

Suiciders: Hitting the spinner rack this December, this new series marks the incomparable Lee Bermejo’s (Joker; Batman:Noel; Before Watchmen: Rorschach) debut as an ongoing series comic book writer and artist. Suicidersfollows the lies of two futuristic boxers – one on top of the world, the other trying to fight (and kill) his way there. Set in Los Angeles after “The Big One,” Suicidersis the wildly popular reality sport that contestants are literally dying to be a part of…and to be the best, you have to murder the best. 

Coffin Hill: When she was 15, Eve Coffin summoned a darkness that had been buried since the Salem Witch Trials. Now Eve’s back to harness the evil that destroyed her friends and is slowly taking over the sleepy town of Coffin Hill. This is a series full of magic, madness and murder via a twisted family of New Englanders. Arriving in stores this October, Coffin Hill combines the talents of artist Inaki Miranda (Fairest: The Hidden Kingdom) with writer Caitlin Kittredge, a young, dark fantasy author whose writing includes the Nocturne City, the Black London, and the Iron Codex series of novels – which include the recently published titles Dark Days and The Mirrored Shard

The Witching Hour: Just in time for Halloween, this anthology-style one-shot collects short stories exploring witchcraft written and drawn by some of the most talented veterans and newcomers in the business – including Kelly Sue DeConnick, Cliff Chiang, Lauren Beukes, Emily Carroll, Matthew Sturges, Shawn McManus, Tula Lotay and many more. 



Source:NY Times and DC Comics.

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Eternal Warrior Artist Trevor Hairsine Now Exclusive to Valiant!

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NewsMike Cecchini7/2/2013 at 1:20PM

Trevor Hairsine, the artist who did some fantastic work on X-Men: Deadly Genesis and Ultimate Six, signs exclusive deal with Valiant Comics!

We're still a few months away from the launch of Eternal Warrior #1 by Greg Pak and Trevor Hairsine, but it looks like Valiant is betting that the artist is going to stick around for awhile! In celebration of this, Valiant has sent along a press release and, more importantly, some terrific preview pages of Eternal Warrior #1 that showcase Hairsine's terrific art!
 
A veteran of 2000 AD and Judge Dredd Megazine, Hairsine made his mainstream comics breakthrough in 2002 as the artist of the acclaimed mini-series Cla$$war. Shortly thereafter, Hairsine moved to Marvel, where was named to the first wave of up-and-coming "Young Guns," alongside Jim Cheung, Olivier Coipel, David Finch, Adi Granov, and Steve McNiven. From 2003 onward, Hairsine penciled several high-profile titles, including Ultimate Six with writer Brian Michael Bendis, X-Men: Deadly Genesis with writer Ed Brubaker, and Ultimate Nightmare with writer Warren Ellis. 
 
Hairsine made his Valiant debut earlier in early 2013, illustrating the prelude to the best-selling "Planet Death" storyline in X-O Manowar and, at present, is completing an acclaimed four-issue run on Harbinger with co-artist Khari Evans. On September 11th, the newly Valiant-exclusive artist will launch his first ongoing series for Valiant with New York Times best-selling writer Greg Pak in the pages of Eternal Warrior #1.
 
"I had a blast working on X-O Manowar and Harbinger, and couldn't be more excited about launching Eternal Warrior with Greg Pak," said Hairsine. "Valiant's an incredibly exciting place to be, and I'm looking forward to making great comics with them for some time to come."
 
"Trevor is one of the premier artists in comics and with good reason," said Valiant Executive Editor Warren Simons. "His work is nothing short of stunning, and, at the helm of Eternal Warrior with Greg Pak, they're readying an absolute monster of a book."

Hitting shops on September 11th, Eternal Warrior #1 is the first issue of all-new ongoing series featuring Valiant's most feared immortal, the Eternal Warrior. Across ten millennia and a thousand battlefields, Gilad Anni-Padda has traversed the darkest, most mysterious corners of history. But the horror and bloodshed of constant warfare has finally taken its toll on the man myth calls the Eternal Warrior…and he has abdicated his duties as the Fist and the Steel of Earth for a quiet life of seclusion. But when a blood vendetta from the distant past suddenly reappears in the modern day, he must decide if he will return to the ways of war…for the child who betrayed him thousands of years ago…
 
Hairsine joins Eisner Award-winning artist Cary Nord (X-O ManowarConan) and New York Times best-selling writer Joshua Dysart (Harbinger WarsHarbinger) as the next addition to Valiant’s roster of exclusive talent.
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Batmania! 10 Special Guest Batvillains We Wish We'd Seen

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Top 10Marc Buxton7/2/2013 at 2:04PM

Jeff Parker and Jonathan Case have a brand-new Batman comic set in the world of the iconic 1960s Batman TV show. Here are ten special guest batvillains who never made it to the screen, but we'd love to see on the page!

With the launch of DC’s Batman ’66 comic by Jeff Parker and Jonathan Case (not to mention a cover by Mike Allred!), it’s pretty easy to find yourself thinking about the incredible “celebrity guest villains” that used to pop up every week on the iconic 1960s TV show. But some classic foes, for one reason or another, were overlooked and never got to go up against Adam West and Burt Ward. Some of these characters simply weren’t created when the pop culture phenomenon of Batmania was at its height, but it’s a blast to think how other villains might have been utilized outside of the Joker, Penguin, Catwoman, Riddler, King Tut, and Egghead.  So here’s how these villains would have, could have, and should have been presented in the 1966 Batman show, and some fun speculation on who could have player these dastardly rogues.

 

Charlton Heston as Hush

Imagine a two part episode featuring Bruce Wayne’s childhood pal Dr. Tommy Elliot visiting Gotham during a crime spree by the bandaged brigand Hush. Elliot would be played by the usually heroic Charlton Heston to throw viewers off the trail. Who doesn’t trust Heston and his toothy good looks? While he was charming Aunt Harriet, he would also be robbing some of Gotham’s social elite all to get back at Bruce Wayne. Hush’s signature trademarks are his .45s, so Heston would feel right at home in the role.

Paul Winchell as the Ventriloquist

Boy, would the Ventriloquist be right at home on this show. Paul Winchell was one of the more popular ventriloquists of that era, and the banter between the dummy and the caped crusaders would have been phenomenal. Ventriloquist’s goons could have been named after famous dummies. Imagine, “Howdy, Kermit, Charlie, GET HIM!” Winchell’s famous dummy Jerry Mahoney could have even been listed as playing Scarface. Legendary.

Lee Marvin as Deadshot

I’ll just let the awesome of that sink in. Deadshot would have been a little more violent than most of the baddies that passed through Adam West’s world, but with some tweaks Deadshot could work. The show could have played up the sharpshooter angle (as opposed to the “deadly assassin angle.”) He could use paintballs or BBs to shoot out the Batmobile’s tires, or blast off Batman’s pointy ears. Marvin’s intensity would counter the show’s innate silliness. Perhaps a team-up with Shame (not a typo!) would be in order?

Lon Chaney Jr. as Clayface

Of course, in 1966, Clayface would not be able to be the formless monstrosity fans are familiar with today, but with some innovative make-ups techniques, Clayface would have been an awesome addition to the Bat Rogues. Chaney was best known for his legendary performance as the Wolf Man, but he also played the Son of Dracula, the Mummy, and Frankenstein’s Monster.  Chaney’s special form of villainy could exist in the zany world of the TV show without feeling watered down. Don’t believe me? Just check out his nuanced and tragic performance in Abbott and Costello Meet Frankenstein. Chaney as Basil Karlo, former horror actor, shape shifter and master of disguise would have been a perfect match between actor and character. Chaney’s large physical presence would be an impressive visual going up against Adam West, and if they played up the disguise angle over the shape-shifting Clayface would work.

 

Barbara Eden as Poison Ivy

Excuse me while I savor this mental image. Could there possibly be anything hotter than Barbara Eden in her I Dream of Jeannie outfit? How about Barbara Eden wearing nothing but vines? Could even Adam West’s stoic sexual ambiguity resist the toxic sex appeal of Barbara Eden as Pamela Isley? With her man-controlling pheromones and toxic lipsticks, Poison Ivy would  slink her way into femme fatale immortality, and this time, men would be calling her master.

Don Knotts as the Scarecrow

Gee, golly, the usually frightened Don Knotts would break all role expectations by playing the master of fear. This time old Mr. Ferley would be doing the scaring as Gotham’s master of terror. I guess the show would have to tone down the scares, maybe Jonathan Crane would make Batman afraid of caves, or masks, or Aunt Harriet. Come to think of it, I’ve always been a little afraid of Aunt Harriet. Knotts would be the perfect physical specimen to fill the straw suit, even though this Scarecrow would be way more Wizard of Oz than Nightmare on Elm Street.

 

Mil Mascaras as Bane

Nothing says cutting edge ‘60s pop culture like a luchador. As a great man once said, there is nothing classier than a luchador in a suit. Imagine wrestling legend, the barrel chested Mil Mascaras, ruling Gotham’s underworld as Bane. Of course, in this Batman, Bane would only speak Spanish. Steroids would not jive with the kid friendly tone of the show, so when Batman is near; Bane would remove his carefully tailored suit and drink his Strong Juice to take down the Caped Crusader. What appears as an ordinary soft drink would allow Bane the temporary strength to terrorize Gotham.

Goldie Hawn as Harley Quinn

I know when I think adorable, homicidal, and the 1960s, I instantly think about Goldie Hawn. Who would be cuter is the Joker’s moll than Miss Laugh-In herself? She would sock it to viewers with her curvy perfection and sock it to Batman and Robin with her trademark Warholian giant mallet. Hawn and Cesar Romero could be the Lucy and Ricky of crime, but no one would be laughing at the visual of Hawn filling out Harely’s traditional spandex clown suit. Any jaw not on the floor from the sight would be broken instantly by a well-placed boxing glove gun or concrete pie to the face. Harley’s obsession with her Mr. J combined with Hawn’s squeaky voice and wide eyed feminine innocence would have created a villainous beauty rivaling Julie Newmar and Eartha Kitt.

Dean Martin as Two- Face

Usually Martin could be seen flipping back a highball, but how about a coin? It was a shame Harvey Dent never made it into the series as he’s one of the most iconic villains from that (or any other) period. Dean Martin and his unique brand of swagger would have made the perfect Jekyll and Hyde gangster, but he also would have garnered sympathy as Harvey Dent. And you know there would have been a musical number if this crooner donned the two toned suit. Can't you picture Martin as Two-Face...singing a duet by himself?

Christopher Lee as Ra’s Al Ghul

The most Bondian of Bat villains, Lee would have added that perfect air of mysterious dignity to Ra’s Al Ghul. I’m sure Ra’s would have a swingin’ villain pad and there would be a hot starlet to play Talia (Diana Rigg, of course), as Batman would have to stop the environmental terrorist from taking over Gotham. Lee’s almost seven-foot height would have dwarfed Ward and West, and it would have given Lee a rare opportunity to ham it up. In the non-violent world of ‘60s Batman, they would have had to water down the ultra-violent League of Shadows (the League of Hooligans? The League of Nogoodniks?). Nevertheless, the prospect of Christopher Lee donning the robes of the Demon’s Head is almost too cool to contemplate.

So...who did we miss? Now let's see if Jeff Parker and Jonathan Case have other ideas for their special guest batvillains!


 

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With all due respect sir; William Shatner would have made the perfect Scarecrow. Mind = blown.

Fun fact: Clint Eastwood was cast as Harvey Dent/Two-Face before the show was cancelled. Now that would have been a sight to see.

Lee Marvin as Deadshot and Christopher Lee as Ra's are perfect.

As much as I love the idea of Eden as Poison Ivy, I don't think they would have given her that revealing of a suit. Probably more akin to the green skin tight suit Uma Thurman wore in the second half of Batman & Robin (shudder). Actually, that intentionally bore more than a passing resemblance to Julie Newmar's Catwoman suit.

Secondly, regarding Clayface, the show in a two-parter did use False Face, a minor Silver Age villain who more resembled the original, master-of-disguise Golden Age Basil Karlo Clayface than the shape shifting Silver Age Matt Hagen one. So that one is kinda covered.

Oooh, loving the Scarecrow, Harley Quinn, Two Face and Ra's Al Ghul castings

AWESOME!!!!! All are good, but the Lee and Chaney selections are perfection.

Shadowman #8 (Valiant) Review

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ReviewMarc Buxton7/2/2013 at 4:53PM

Shadowman #8 is one of those perfect supernatural comics that walks the line between superheroes and horror. Stop waiting for Marvel to put out a good Doctor Strange comic and start reading Shadowman!

Since its revival, Valiant has been producing solid super-hero stories that stand out in a crowded market place, and they've assembled a promising crew of writers and artists to make once high-profile characters relevant again. With Shadowman, Valiant has delivered a comic that really scratches that supernatural itch all comic fans possess. Seriously, kids, this is the Doctor Strange or Brother Voodoo book we all wish Marvel was producing. Shadowman is a creepy and atmospheric story that utilizes every inch of New Orleans voodoo history to create modern horror book that would make any fan of supernatural fiction happy.

Shadowmanpresents the story of Jack Boniface, the latest supernatural protector called (what else?) the Shadowman. Jack inherited his mantle from his father in the book’s first arc and barely had time to get used to it before he was thrust into a duel between the legendary Baron Samedi and Valiant’s perennial supernatural badass Master Darque. Darque has taken over the Deadside, (a kind of purgatory) and is transforming the souls there into horrific engines of destruction. Think of unstoppable cyberpunk zombie tanks designed to pierce through Deadside into the real world. Yeah, Jordan is bringing it!

The way Jordan and company use established voodoo myths and combine them with Valiant cannon to establish a familiar world that is still able to surprise seasoned readers is impressive to say the least. Darque is legit scary and the art team brings the Deadside to life (is that the right word?) using muted colors and negative space to establish an amorphous realm. When Jordan’s story enters the real world, the art stands in stark contrast to the disturbing twilight darkness of the Deadside.

The character work really makes Shadowman such a compelling read. Boniface is new to the role of Shadowman, but he does not shy away from throwing down with zombies or ghosts, nor does he lose his humanity. He relies and cares deeply about his mentor Dox and his two-fisted companion Alyssa who both get time to shine this issue as Dox risks traveling to the Deadside to stop Darque.

Darque and Samedi are the true stars of this issue as Jordan presents two vile beings vying for power. Samedi has grown to like the pleasures of the living world and is willing to fight Darque so he may continue to drink, gamble, and whore. This makes for a compelling conflict for Jack who must decide if he wishes to save the world from Darque’s hunger.

Shadowman throws down the gauntlet for the modern supernatural horror hero…a challenge that hopefully will soon be answered by the Big Two as we move closer the inevitable Doctor Strange film and beyond.

 

Story: 8/10
Art: 7/10
Overall: 8/10

Shadowman #8(Valiant)
Writer: Justin Jordan
Pencils: Roberto De La Torre and Neil Edwards with Lewis LaRosa
Inks: Roberto De La Torre and Matt Ryan with Lewis LaRosa

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Damian Wayne to Return to DC Comics!

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NewsMike Cecchini7/3/2013 at 5:25PM

Andy Kubert is bringing back recently deceased Robin, Damian Wayne, for a four issue mini-series this October.

There's really one major rule in superhero comics: dead heroes (and most villains) never stay dead (not even Bucky), and that's mostly because you can't just let a good intellectual property go to waste. Well, just because Damian Wayne died a rather heroic death in the pages of Batman Inc. #8, that doesn't mean he can't come back for a four issue mini-series that may or may not actually take place in continuity, right? And when it's Andy Kubert writing and drawing that mini-series, it's probably gonna be worth checking out.

Damian: Son of Batman is a four-issue mini-series that will be dedicated to "exploring the possible path that Damian has taken  to become Batman" says Kubert. For their part, DC is stating that it takes place in "a possible  future that may never be." Fans may remember that throughout his run on Batman, Grant Morrison periodically treated readers to glimpses of a grim future in which Damian had assumed the mantle of the bat. One of those issues was the Kubert-drawn Batman #666.

Damian: Son of Batman #1 hits shops on October 30th.

You can read more about Damian: Son of Batman as well as more from Andy Kubert over at the New York Post's Parallel Worlds! 

Source: NYTIMES


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Brian Buccellato Talks About Flash Annual #2

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InterviewMarc Buxton7/5/2013 at 8:18AM

Flash writer Brian Buccellato tells us about writing the first New 52 meeting of Flash and Green Lantern in Flash Annual #2..

Flash Annual #2 is released on July 31, and gives fans the details of the first (beforeJustice League #1) meeting between Barry Allen and Hal Jordan. Written by Brian Buccellato (who helps guide the scarlet speedster's monthly adventures) with art by Sam Basri, Flash Annual #2 looks like a crucial snapshot of the early days of the New DC Universe. Mr. Buccellato was kind enough to take the time to sit down and answer some of our questions about the book and the relationship between these two iconic characters.

Den of Geek:How did this book come about? Who suggested it was time to finally tell a legendary story for the first time?

Brian Buccellato: I think the suggestion came from editorial, during one of our weekly phone conversations. And as soon as Will (our editor on Flash) mentioned Hal, I was sold! I mean, who doesn't want to tell a Barry/Hal story. No-brainer, right?

DoG:What is your take on the Hal/Barry friendship? Is there anything we haven’t seen before?

BB: Well, these guys have VERY different personalities. Hal is the fly-by-the-seat-of-your-pants kind of guy, and Barry is about as methodical a dude as you can be. All you have to do is look at their professions... Hal is a JET PILOT and Barry is a POLICE SCIENTIST. Polar opposites. So, my take is very much in line with who they are as people. I didn't try to reinvent the wheel with this story, I just wanted to explore the nature of their differences and WHY those differences bond them as friends.

DoG:What makes the characters work so well together? Why do creators keep coming back to their relationship?

BB: I think their differences as individuals is at the heart of their relationship. Nobody wants to read about two guys that agree on everything and would make the same choices. That's not interesting. I think creators enjoy writing Barry/Hal for the same reasons they enjoy watching Kirk/Spock, Riggs/Murtaugh, C3PO/R2D2, Gilligan/Skipper and countless other pairings throughout fiction. It's fun to watch their personal conflicts play out while they are working towards common goals.

DoG:Tell us about Sami Basri.

BB:While I've never worked with him before, I'm a huge fan of his work. He's one of the biggest talents out there right now and I couldn't be happier that he's on board for this project. I can't wait to start seeing pages!

DoG: Any hints about the villain of the story?

BB: The antagonist of the story is NEW. Her name is VERUS and she ain't from around here. 

DoG: The solicitations say that this issue “will affect The Flash for years to come.” Is there anything you can tell us about that?

BB:Only that I didn't write the solicitation and I would never be so bold as to make that kind of claim. :) That said, there is a definite possibility for this annual to propel us into another story involving the same characters.

Also... as the cover suggests, FLASH does get to use Green Lantern's ring, and that offers Barry a unique insight into what it takes to be a Lantern and what kind of effort/challenges Hal faces as a ring bearer. Wow, that sounded SO Lord of the Rings, didn't it? At least I didn't say that Barry gets to hold Hal's "precious."

DoG: What are some of your favorite Hal/Barry stories from years past?

BB: The one where Hal was a crazy Vietnam veteran turned detective, who teamed up with Detective Barry on his 50th birthday...and they have to solve the death of girl who jumped off a 30 story balcony. And in the end, Hal fights Gary Busey in the rain...

Oh, wait...that was Lethal Weapon.

DoG: Upon meeting, how do these dynamic opposites see each other?

BB: They are quickly united by a common goal in this story, so I wouldn't say they are dynamically opposed. However, since their first meeting is BEFORE Justice League neither is used to TEAMING UP, so they react as you would expect they would...as individuals. Their differences are drawn out through their personalities and how they perceive/react the events.

DoG: What other New 52 firsts would you love to tackle?

BB: Honestly, I don't have a list or anything. In fact, I wrestled with the idea of writing Barry and Hal's FIRST meeting. It was an exciting opportunity and honor to be the guy to tell that story, but I was conflicted and had to be sure that the story I was telling was worthy of being that first. I didn't take this story lightly, and while I will always leap at the creative challenge to do more "firsts," I won't do it just to do it. I love these characters too much to put my own personal wants ahead of them. 


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Batman 66 #1 (DC Comics) Review

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ReviewMike Cecchini7/5/2013 at 3:15PM

Jeff Parker and Jonathan Case have perfectly captured the zany energy of the classic Batman TV show with the first installment of this new series!

My natural inclination when the thought of a comic based on the legendary Batman television series from the sixties crosses my mind is...why bother? Batmanwas such a perfect translation of the Batman comics of its era that it feels like many of those issues (especially the ones with Carmine Infantino covers and go-go checks at the top) could just be read in Adam West's voice and there you'd have it. So, it takes a special creative team to capture that show's special brand of zany energy, filter it back into comic form, and not have it come across warmed over or recycled. Jeff Parker and Jonathan Case are that special creative team, and all Batman '66 #1 (available now in digital only format via ComiXology and the DC Comics app) is missing is Nelson Riddle's score.

From the opening caption and that initial exchange between Bruce Wayne and Dick Grayson, the classic BatmanTV formula is clearly and perfectly on display. You can practically hear William Dozier's narration, and Bruce and Dick's dialogue feels like it could only have been spoken by Adam West and Burt Ward. And that's just the first few panels! In no time at all (just like it would on the show), the Riddler shows up and puts the first step of his plan into action. If you're a fan of the show, all of this will feel very right.

But let's not forget, this is a comic, which means there are things that can be done here which couldn't work on the old show, both because of budgetary limitations and the physical capabilities of stuntmen. In one thrilling sequence, Batman climbs from the Batmobile to the Riddler's airplane while in flight, something which would have been extraordinarily difficult (if not impossible) on the old show. It's the perfect balance between the spirit of the TV series and something only a comic would be capable of.

Jonathan Case nails the particular body language of the familiar cast, especially the Riddler, who is positively alive with all of the manic energy that Frank Gorshin brought to the role. Throughout the book we're treated to exaggerated Ben-Day dots, perfect re-creations of the trademark visual sound effects of the series, crooked villain angles, and some really neat pop-art effects. DC is heralding Batman '66 as the first of their comics to feature "DC2 Interactivity." While I didn't necessarily see a dramatic difference between this and the standard ComiXology Guided View experience, it sure does LOOK slick.

Serious fans of the show will eat this up, and the next installment can't get here fast enough. This first chapter covers roughly half of what would be a half-hour episode, and before it's done, I suspect that "The Riddler's Ruse" will fit perfectly into the structure of a traditional Batman two-parter. The first season of Batmanis one of the greatest comic-to-screen translations in history, and while the show became inconsistent (and sometimes tough to watch) later in its run, the initial concept and its unique, twisted humor stands the test of time. Batman '66looks like it might just fit right in with the spirit of the show's better episodes.

Story: 8/10
Art: 8/10
Overall: 8/10



Batman '66 #1
"The Riddler's Ruse Part 1: Mirth From Above"
Written by: Jeff Parker
Art and Colors by: Jonathan Case
Cover by: Mike Allred

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Disqus - noscript

Damnit. Are these all just going to be digital?

No, they will premiere online but be sold a print a bit later.

Superior Foes of Spider-Man #1 (Marvel) Review

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ReviewMarc Buxton7/6/2013 at 8:06AM

What happens when Nick Spencer and Steve Lieber take six of Spidey's lesser-known foes and give 'em their own book? You get the best comic of the week.

Well played, Nick Spencer, well played. How do you get a heist book to sell in today’s superhero and zombie obsessed market? You cleverly disguise it as a Spider-Man comic, and before your sometimes-way-too-insular fan base realizes what hit them, you engage them in a hilarious, sharply-paced, character driven story about five unrepentant scumbags, and before your readers know they are not actually reading a superhero comic, they're hooked!

Superior Foes of Spider-Man #1 is a character study of some of Spidey’s less-celebrated opponents; Boomerang, Speed Demon, Overdrive, the Beetle, and the Shocker. The book is firmly entrenched in the modern Marvel universe where Otto Octavius is swinging around in Peter Parker’s body, but this is a Spider-Man story unlike any fans may have read. It’s not even really a Spidey tale at all, but it's about some of Spidey's, shall we say, minor foes, and what their lives are really like.

The protagonist of the story is Boomerang, and Spencer gives us a slice of life tale that fleshes out a character who has always been, despite some shining moments in Thunderbolts, pretty one-dimensional. No one in this book is one dimensional. Readers will learn what drives these thugs, what they do when they are not putting on gaudy costumes and throwing down with superheroes.

Somehow, Spencer does the impossible, the five main characters (yes, five, the sixth is revealed later in the story and I won’t spoil it here) are flat out, grade-A dicks. They are not misunderstood, they are not victims of a tragic past, they are just scumbag criminals who feed off society. But, lord above, are they fun.  The main thrust of the story is that Speed Demon and Shocker need to buy birdseed for the imprisoned Boomerang and leave it at his apartment so Boomer’s neighbor can feed his bird while Boomerang is in prison. Simple, right? Well, not for these foes, as the Demon and Shocker decide they need to rob the pet store and steal a puppy from a little girl who thinks they are “stupid.” That’s it. It's so ridiculously simple, that it's utter genius.

Other sublime moments of pure ridiculousness include the new, female Beetle robbing a comic book store and the clerk asking if she wants bags and boards, Speed Demon forgetting Boomerang’s keys after the robbery and having to run back to Brooklyn, and, for the first time ever, Hammerhead taking a dump. Yeah, it’s that kind of book. But with all the hand-wringing angst filling other titles, a little farce goes a long way in making Superior Foes something very special.

The classic, clean art of Steve Lieber humanizes the proceedings giving everything a matter of fact, real world quality. Lieber’s art has great comedic pacing, and breaks down the more humorous scenes into multi-panel grids to perfectly catch the timing of the jokes. These Foes have never been this entertaining and this unexpected crime book is a must read. It would be a crime to dismiss it.

Story: 9/10
Art: 9/10
Overall: 9/10



The Superior Foes of Spider-Man #1
Writer: Nick Spencer
Artist: Steve Lieber
Color Art: Rachelle Rosenberg


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Steven Spielberg Picks Grapes of Wrath as his Next Stomp

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NewsTony Sokol7/6/2013 at 4:07PM

Steven Spielberg nabbed the rights to John Steinbeck’s classic novel The Grapes of Wrath for DreamWorks Studios.

 

Tom Joad ain’t just for Springsteen anymore. Steven Spielberg, the man behind Jaws, Close Encounters and Schindler’s List, picked up the rights to John Steinbeck’s The Grapes of Wrath for his next studio, according to the media grapevine. Spielberg beat Robert Redford’s Sundance to the gold coast in the race to produce the new adaptation for DreamWorks studios. Spielberg probably won’t be directing the movie, though, he is busy working on American Sniper, the story of the Navy Seal Chris Kyle, who will be played by Bradley Cooper.

John Steinbeck’s classic novel came out in 1939 and told the story of the Joad family who headed west during the depression to try and find work when Oklahoma dried out in a hot, arid summer. The Grapes of Wrath was a 1940 classic directed by John Ford and starring Henry Fonda, John Carradine and Jane Darwell. Ford won a Best Director Oscar for it and Jane Darwell won the Best Supporting Actress award.

Then I'll be all around in the dark - I'll be ever'where—wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there... I'll be in the way guys yell when they're mad an'—I'll be in the way kids laugh when they're hungry and they know supper's ready. An' when our folk eat the stuff they raise an' live in the houses they build—why, I'll be there.” Tom Joad.

SOURCE: THE GUARDIAN

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The Owl #1 (Dynamite) Retrospective and Review

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ReviewMarc Buxton7/7/2013 at 11:26AM

A nearly forgotten hero from the Golden Age of comics returns with Dynamite's The Owl #1 from J.T. Krul and Heubert Khan Michael. We've got a review and a history of this very cool two-fisted hero!

Dell Comics wasn’t known for its superheroes. The publishing company carved a niche for itself during World War II publishing comic strip reprints, which is why it’s surprising that Dell was responsible for creating the Owl, a hero who has not had a great impact on the world of comics during the preceding decades, but has remained a constant (if quiet) presence since his creation in 1940.

The Owl first appeared in Crackerjack Funnies #25 (man, that’s an old-timey title!) in July, 1940, sharing the spotlight with reprints of popular newspaper strips like Apple Mary and Don Winslow of the Navy. The Owl was an original creation of Dell and cartoonist Frank Thomas, something unusual for a company that found success simply repackaging comic strip reprints. There was nothing new about the Owl. Secretly police detective Nick Terry, the Owl was frustrated by how red tape handcuffed him instead of the criminals plaguing his city of Yorktown, so he donned a gaudy costume to strike fear into the hearts of criminals. He used a flying Owlmobile (similar to Batman and Green Arrow), and a blackout ray to blind his opponents (like Phantom Lady and Dr. Mid-Nite).

The Owl eventually proved so popular that he became the cover feature with issue Crackerjack Funnies#31. In issue #32, Terry’s girlfriend, Belle Wayne (no relation) donned the mantle of Owl Girl and became a vital part of the series. Like his fellow avian avenger Hawkman before him, the Owl entered into a crime fighting duo with his wife that would define the character right up to his revival with Dynamite Comics in the pages of Project Superpowers. The two continued to bust heads in the pages of Crackerjack Funniesuntil the title’s cancelation in 1943. The duo was then thrust into the back pages of Popular Comics until the end of the Golden Age.

Comic fans were not done with the Owl yet, though. In the 1960s Gold Key Comics acquired most of Dell’s original properties and revived the Owl. Now, this was during the absolute height of Batmania, the fan-fueled obsession with all things Adam West and Burt Ward, and Gold Key decided to approach the Owl with the same sense of fun and parody as the BatmanTV series. Only two issues of this new swingin’ Owl were published, but man are they a blast. All the buffoonery and farce of the era were evident as the Owl was portrayed as a bumbling do-gooder while Owl Girl carried the physical load for the team.

And what a creative team! The new Owl adventures were written by non-other than Star-Spangled Kid creator, Jerry Siegel. Oh yeah, you might have a passing familiarity with Siegel’s other great creation...some bloke named Superman. On art was Tom Gill, best known for his superb work on the Lone Ranger (back when the Lone Ranger didn’t hang out with some Norwegian death rocker looking dude with a dead bird on his head). Siegel and Gill created what could have become a refreshingly hilarious Silver Age superhero universe, but alas, it was not to be. With one more guest spot in Doctor Spektor in 1976, the Owl faded…until 2008 and Dynamite Comics’ Project: Superpowers, where Owl and Owl Girl were just two of the public domain characters revived in Dynamite’s multi-part saga. Now, Dynamite has tapped Green Arrow and Soulfirewriter J.T. Krul and artist Heubert Khan Michael to guide the modern adventures of the Owl, all under a pretty purple cover by Alex Ross.

So how did they do in the inaugural issue?



Not a great deal of new ground was covered by Krul in The Owl #1. It’s all very familiar, the time lost hero getting used to his new and modern surroundings while carving a place for himself in a world he doesn’t fully understand. We’ve seen it in Captain America, and we saw it in The Twelve, and we very recently saw it in the Owl’s sister book, Miss Fury. Yet, familiarity does not breed contempt, as Krul makes Terry a very likable protagonist who is still on the same mission for justice he began seven decades ago.

As Terry gets used to his new world, he desperately needs an anchor. Of course, that was Owl Girl who he believes is lost to him. Without his true love and partner, Terry wanders the world doing the only thing he knows how to do: fighting crime. He is shocked to learn that the bureaucracy of crime fighting has gotten even worse since his heyday, which makes him decide the world needs the Owl more than ever.

At times, Krul does a nice job contrasting the modern world with the world of yesteryear. The Owl spends a great deal of time judging the new society he finds himself in and bemoaning what he has lost. When there is a focus on the personal aspects of his old life, the book is effective, but when Krul, through Terry, looks at yesterday through rose-colored glasses, the whole thing becomes a bit cynical and judgmental.

If the Owl’s time was so great, why did he need to put on a costume in the first place? Terry comments that thieves had more honor in his day. Well, we have all seen old photos of mob hits and there isn’t really a great deal of romance there. The effort Krul spent trying to establish the Owl as a time-lost champion is appreciated, but looking at the past with such a rosy outlook is unrealistic from someone who had to become a vigilante in order to combat the dangers of his past. It seems everyone in this book not called the Owl is a dick. From the crooks he spends the issue beating down to the first modern police he encounters. It’s all a bit much when the issue would be better served establishing who Terry is and why he is driven to fight.

The mystery surrounding where Owl Girl might be is intriguing. The issue ends on a cliffhanger involving her return, which is interesting enough to overlook some of the book’s clumsier flaws. Even the art looks unfinished and rushed. Michael handles action well enough, and his Owl is dramatically rendered, but the quieter scenes all have a clay-like quality to them that made it look like he rushed through the talky scenes to get to the juicy stuff.

It’s good to see the Owl back, but despite a captivating mystery involving Owl Girl, one wishes there was a little bit more meat on the bone so the character can finally join the Whooooos Whooooo of heroes. Oh, yes I did.

 

Story: 5/10
Art: 5/10
Overall: 5/10


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Avengers Assemble, Ghost of a Chance, Review

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ReviewMike Cecchini7/7/2013 at 11:44PM

Disney XD's newest Avengers cartoon kind of sputters a bit with this one. But seeing Silver Age Avengers villains the Space Phantoms in animated form does make up for a number of minor crimes...

Uh-oh. I have very few strict rules that I follow in my life, but one of them is to never judge a TV series by its earliest episodes. But sometimes, even early on, the alarm bells go off, and it becomes clear that some problems might just continue to haunt a show. I enjoyed the premiere two-parter of Disney XD's newest animated superhero offering, Avengers Assemble (you can read the full review right here) and expected that with the preliminaries out of the way, the show might start to calm down a bit and get into some actual storytelling. Unfortunately, if "Ghost of a Chance" is any indication, that may not happen for awhile. If ever.

In short, this second (third if you want to get technical, since the premiere was a two-parter) Avengers adventure deals with dark-matter space phantoms who replace the Avengers with evil copies that are generally rude and scowly. And while there's a certain amount of cool geek symmetry in the fact that the villains of the second episode of this series were also the villains in Avengers#2 (all the way the heck back in 1963!), this plot kind of fell flat. Why? Because we've already seen the Avengers being rude to each other and violent thanks to outside influence in the first episode. Add to this a couple of recycled jokes about bad breath and "Ghost of a Chance" felt awfully formulaic.

Speaking of formulaic, "Ghost of a Chance" at least gets the "new guy saves the whole team/earns his place" story out of the way, and we get to see the Falcon shine. It's cool to see a great character like Sam Wilson really get the spotlight in animated form, but I'm not too sure about his "young guy geeking out to be in the Avengers" characterization. In fact, the personalities of all of the Avengers don't feel quite right on Avengers Assemble just yet. When every character on the show is spouting a quip-a-minute, it kinda blunts the humor's edge. To be fair, the bit where Falcon accidentally wanders into the Hulk's quarters and discovers his unique hobby was pretty darn funny, though, as was a throwaway gag centered around a Doctor Doom reaction shot. 

All in all, "Ghost of a Chance" was disappointing, if not downright irritating. However, it's still early enough in the show's run that they might just be making sure that viewers get each character's vibe. Still, too much time is spent on trivial matters like the team arguing over cookies (yes...you read that right) to even excuse that. C'mon, Avengers Assemble. Don't let us down. Take a deep breath, slow the pace a little, and tell us some stories with these characters, and then maybe this other stuff won't seem so out of place.
Den of Geek Rating: 2 out of 5 stars.

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Guillermo del Toro Talks About Justice League Dark Movie

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NewsMike Cecchini7/8/2013 at 12:11PM

The director of Pacific Rim and Hellboy is still quite keen on bringing the supernatural Justice League Dark to the big screen.

Justice League Dark, the relatively new iteration of the famed Justice League comic book franchise which functions as a home for some of DC's supernatural and horror-themed heroes, is firmly in Guillermo del Toro's sights. And why is this? It's all because of the director's love of the characters.

"When I was following the DC Comics in my youth," del Toro told ScreenRant, "my favorites were Swamp Thing, Demon, Deadman...my earliest love was Constantine, and I love Zatanna, Destiny, the whole mythology. So we're working on a really rich mythological environment."

While del Toro's involvement in the Justice League Dark film (currently known as Dark Universe) isn't anything new, his statement here is worth unpacking. He specifically mentions Destiny, a member of the Endless, whose numbers (of course) include Neil Gaiman's Sandman. Might del Toro's quote about introducing a "rich mythological environment" mean that we'll see glimpses of a wider DC supernatural universe that could be expanded into other films? Might Dark Universe turn out to be our first look at the world of the Sandman?

It's interesting to note that despite the success of Man of Steel, a film teaming up a number of DC's lesser known characters at least appears to have more of a creative head of steam behind it than a "traditional"Justice Leaguemovie. Who knows? We may have a shared Vertigo cinematic universe before we get a more conventional shared cinematic DC superhero universe. And if that means we'll finally get to see some Sandmanconcepts on the big screen, that's not a bad thing at all.

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Man of Steel Sequel and Prequel Tidbits and Teases

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NewsMike Cecchini7/8/2013 at 1:14PM

Russell Crowe isn't opposed to a Krypton prequel, while David Goyer and Zack Snyder talk about some sequel possibilities.

While we're nearly a month gone from Man of Steel's cinematic release, it seems there's still plenty to talk about. In fact, from the sound of things, lots of people have been asking Russell Crowe (Jor-El) about the possibility of a film focusing solely on Krypton! How many people? Enough of them for Crowe to feel he needed to address the issue in a tweet:
But that's not all! Empirehas a pretty hefty feature with screenwriter David Goyer and director Zack Snyder where they talk about possible sequels, as well as things that didn't quite make the cut for Man of Steel...including the prospect of more Krypton!

"The first draft actually had more even on Krypton," says Snyder, "The destruction of Krypton was crazy and we linearised that because it was like the birth and then all of these flashbacks within flashbacks and the timing of Zod’s approach. There was a bigger battle that I had designed on the landing platform and we shot some of it, but for budgetary reasons it got smaller and smaller and then it got to the point where I was just like, ‘Let’s just have the battle inside.’"

On the question of why Superman didn't spend more time engaged in smaller tasks before the big battle with Zod, Goyer had this to say:

"This is a movie where the world learns that he exists and he decides to assume the mantle of Superman, so by the end of the film when he has that scene with General Swanwick, in our minds, the world has only been aware of Superman a month, or three weeks or something. That montage that you’re talking about can’t really happen yet. Presumably it would happen in another film or in between the next film."

And, perhaps most importantly to fans, Goyer reiterated quite strongly his feelings about the wider DC Universe within Man of Steel. "This is just, sort of, y’know, ground zero for...a greater DC universe. This is a shared universe so we’re saying yes, Lex Luthor exists in this world, Bruce Wayne exists in this world. We mentioned S.T.A.R. Labs and so the intention is, if the film is well received, that this would be the starting point for introducing other characters and ultimately, obviously Warner Bros. hopes there will be a Justice League film and perhaps you might start seeing other characters appearing in each other’s films."

But it's this last quote from Goyer which might be the most revealing! "I think in some ways they’re interested in going perhaps the opposite direction that Marvel has done which may be to do a group film and then spin off."

Go read the whole thing at Empire, as it's pretty juicy!

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DC Comics Previews: Joker and Bane in Villains Month

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NewsMike Cecchini7/8/2013 at 1:45PM

It looks like we'll be getting a fresh look at the origin stories for Joker and Bane during DC's upcoming Villains Month event. Check out these cool preview images!

The Joker's origin has always been shrouded in mystery and contradictions in the DC Universe...and that might not necessarily change in September, but it's always cool when DC gives us a look into one of the possible pasts of Batman's greatest foe. DC Comics has released a look at a decidedly mirth-free Joker by Andy Clarke. The Joker's Villains' Month special will "hint at a possible origin for the Joker [and] will also feature the origin of a classic Batman villain who folks might not suspect as having ties to the Clown Prince of Crime."
But that's not all! Bane's Villains' Month one-shot is drawn by the man who helped bring the character to the page for the first time, Graham Nolan! Described as "the quintessential Bane story," the issue will set up some of the events of DC's Forever Evil: Arkham War which will set the criminals of Arkham Asylum and Blackgate Prison loose on Gotham City! Wait...wasn't that the plot of Knightfall?
Source:DC Comics.
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Valiant Previews: Archer and Armstrong #11

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NewsMike Cecchini7/8/2013 at 3:46PM

Just in time for the 66th anniversary of the Roswell UFO crash, Valiant brings us some killer preview pages from Archer and Armstrong #11 by Fred Van Lente and Pere Perez!

Check out these full-color preview pages from Archer and Armstrong #11 by Fred Van Lente and Pere Perez! This issue, which hits shops on July 17th, is the second chapter of the "Far Faraway" arc. And isn't it cool that they chose to show us this TODAY of all days? After all, it's the 66th anniversary of the UFO crash at Roswell, so could there possibly be a more convenient time to look at some comic book versions of the famous grey aliens? No? Didn't think so. Let Valiant tell you all about it!

"Flying saucers! Dinosaurs! Flight 19! The lost colony of Roanoke! History's most mysterious figures have all wound up in the time-lost world called The Faraway – and now so have Archer & Armstrong! Can Valiant’s greatest conspiracy-busters find their way out before they’re trapped forever? And get those insurance premiums paid up before reading the last page revelation – because jaws will drop (and probably have to be reattached surgically)!"













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First Clip From The Wolverine Showcases Insane Train Fight!

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NewsMike Cecchini7/8/2013 at 4:36PM

Wolverine, a bunch of ninja assassins, and a bullet train. That's really all you need to know about this first official clip from James Mangold's The Wolverine, isn't it?

Well, this is rather exciting, isn't it? This nearly two-minute clip from The Wolverine (which hits theaters on July 26th) showcases an absolutely bonkers battle atop a speeding bullet train. It's not too likely that The Wolverine will be short on action, and this is only  two minute of a two hour film. Now, the question becomes, how high will the body count be in this one? If this fight is any indication, there's gonna be a whole lot of dead would-be assassin's in Logan's wake. And while the whole 3D phenomenon is getting pretty dull, this scene looks like it might be worth checking out in that format.
The Wolverineis directed by James Mangold and stars Hugh Jackman, Will Yun Lee, Famke Janssen, and Svetlana Khodchenkova. It looks like it has a few plot elements from Chris Claremont and Frank Miller's 1982 Wolverine mini-series, but that sure didn't include a bullet train fight! 

Source:Machinima

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Quantum and Woody #1 (Valiant), Review

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ReviewMike Cecchini7/9/2013 at 5:16PM

Quantum and Woody may be the world's worst superhero team, but they're still one of the week's best comics.

The good news is, even if you're late to the party with the new wave of Valiant books, Quantum and Woody #1 is perfectly accessible. While this is certainly part of this new Valiant universe, it doesn't rely on any advance knowledge of how this family of titles operates, or even anything about the previous incarnations of the characters. The bad news is...well, actually, there is no bad news. Quantum and Woody #1 is a fine, funny superhero comic that is a perfect entry point for fans looking to sample Valiant's wares.
 
For a book that barely even gets the origin of the title characters out of the way, Quantum and Woody #1 gets quite a lot done. Both of our (ahem) "heroes" are introduced, their relationship is established, we get glimpses of their personal lives, and none of it really feels like needless, hammered-home exposition. As a matter of fact, despite all of the info presented, this is a pretty breezy read. And a funny one too. Tom Fowler's art works the physical comedy on nearly every page, and his comedic command of body language, slapstick, and facial expressions almost rivals Kevin Maguire's days on the "bwa-ha-ha" era of Justice League.
 
So, what's it all about, then? Woody and Eric Henderson are brothers who have taken different paths in their lives. Eric has gone into the military while Woody is a grifter and a con artist. What brings them back together is the mysterious death of their father, which, of course, they end up in the crosshairs of the investigation for. While this may not sound like "and hilarious hijinx ensue," trust me, it works. James Asmus works flashbacks in just the right places, let's both of their personalities carry the dialogue, and somehow sneaks a traditional accidental superhero science-gone-wrong origin story in without ever slowing things down.
 
For anyone who has been waiting for an opportunity to get their feet wet in the new Valiant universe, this is the book to do it with. Got a friend who isn't sure about superhero comics in general? This might be a good gateway drug. Need a chuckle? Look no further. Quantum and Woody #1 may be about the "World's Worst Superhero Team," but it might just also be one of the week's best superhero comics.
 
Story: 8/10
Art: 8/10
Overall: 8/10

 
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