Syfy's Krypton TV series is full, and we mean FULL of love for Superman and deep DC Comics lore.
NewsThis article consists of nothing but Krypton spoilers. You've been warned. If you prefer a review of the first episode, you can find that here!
Krypton is here! I never thought I would be this happy to see a show set on the world Superman came from, 200 years before it exploded, but they really managed to put this one together. Krypton is packed with more love and care for deep (and I mean DEEP) Superman mythology than any version of the legend to make it to the screen. Since I majored in Kryptonian Studies in college (disclaimer: I did not), I am uniquely qualified to over-explain virtually every minute of this show.
But what also helped was a visit to the set of Krypton early in the production of the first season (more details on that here), where I got to see a few details up close and personal thanks to executive producer/showrunner Cameron Welsh and the cast and crew. Even a lifelong Superman fan like me was surprised and amazed by the pieces of lore that the creators are mining. I'll be updating this every week with new info from each episode.
Ready? Let's go...
- Krypton doesn't waste a single second getting into its Superman lore. From the opening shot, Krypton is surrounded by a ring of debris. While this certainly isn't explained as anything in particular, I have to wonder if this is the shattered Kryptonian moon of Wegthor, destroyed by a nuclear missile, and one of the reasons that Kryptonians are pretty sour on space travel.
Even if this isn't actually intended to be Wegthor (but I bet it is, because trust me, the folks behind this show have left no Superman stone unturned in their quest to bring this show to life), having a slight ring around the planet Krypton is a nod to the earliest appearances of Superman's father, Jor-El, in the comics, where he was often depicted wearing a tunic with a ringed, Saturn-esque planet on it.
In later years that became a stylized depiction of Krypton's red sun instead.
But you can also see some visual nods to the 2013 Man of Steel movie. The depleted, desert look of Krypton, and that particular color scheme, looks very much like the version we got in that film. David S. Goyer, who wrote that film, is an executive producer and co-showrunner on Krypton, and he co-wrote the pilot, too. I spoke to Goyer last year about the show's development and he said he had written countless pages of notes on Kryptonian history when he started prepping for Man of Steel, and wished that segment of the movie was even longer.
Here's a look at the surface of Krypton from Man of Steel for comparison's sake (and yes, that is Wegthor in the upper left hand corner).
Please note that Krypton is not a Man of Steel prequel, despite these similarities. The producers have been quite clear about that fact. But it's neat that they've gone for a similar aesthetic when it makes sense. By the way, I wrote a ton about all the weird Krypton and DC stuff in Man of Steel right here if you want to read it.
But they've also drawn on Richard Donner's Superman (which we'll get into in a minute), tons of deep comics lore, and designed this world top to bottom on their own.
A word of warning before we go on, Superman (1978) is my favorite movie of all time. It's the thing that got me into comics, superheroes, and science fiction in general. I'm not going to be able to shut up about it whenever we're discussing Superman in general, or this show in particular.
Anyway...
- In our first look at Krypton's surface, we see the city of Kandor in the foreground. There's a LOT to unpack here, too. You can also see another city way the hell off in the distance, also under a dome. So, we'll go in order of...well, we'll just go in whatever order I feel like rambling about, OK?
This shot also reminds me of the first time we see the surface of Krypton in (you guessed it) the 1978 Superman movie. While that film depicts Krypton as an icy, frozen wasteland, its cities are kind of clustered together. And that movie's action takes place in one giant mega-city structure, but way off in the distance you can see others like it. That's what happens here, except with domes.
But more importantly, Kandor being under a dome recalls its comic book fate. In the comics (not to mention other versions of the Superman story, including Smallville), Kandor went bye-bye long before Krypton itself did, usually because Brainiac came along and scooped it up, leaving nothing but a crater in its place. He placed it in a bottle, which isn't exactly a dome, but you get the idea.
On the other hand, the comic version of Argo City, Supergirl's hometown, had a dome over it, and that's one of the reasons it initially survived Krypton's explosion. Although the Supergirl TV series hasn't taken that route, and anyway, this show isn't set in that continuity. In any case, there's a lot of precedent for the whole "city under glass" thing we're seeing here.
Now, as for the actual IN STORY reasons for why these cities are all under domes. An undetermined amount of time ago, the planet suffered some kind of "great cataclysm" (these are the words executive producer Cameron Welsh used to describe it when I visited the Krypton set last year). As a result, vast swaths of the planet are inhospitable to life, and that's why all the cities are under domes.
Later in the episode, we hear the commander of Kandor's military, Primus Jayna Zod (we'll get to her in a minute), refer to other city-states. There are nine city-states on Krypton, although the show (at least for now) is primarily concerned with Kandor. I do not know if life is like this in those other city-states.
I have to appreciate the Kryptonian architecture, though.
Before Krypton was depicted as a crystalline ice world in Superman: The Movie, one of its key influences was the work of Alex Raymond and the original Flash Gordon comic strip. For decades, alien cities in general defaulted to a kind of art deco "Raymondism," especially Krypton. This is the first time I've really seen this attempted in a modern way in live action, and it's really cool.
You could totally have shown me this picture and told me "hey, check out a look at Mongo from this new Flash Gordon TV series" and I would have been really excited. But yeah, the fact that early Krypton looks the way it did for nearly the first 50 years of comics is a really nice touch.
- Daron Vex is the chief lawgiver in Kandor, serving under the Voice of Rao. Remember how I said this show draws influences from all the different versions of Krypton of the comics and the screen? Well check out those black robes he wears when passing judgment on people...
...they sure remind me of the ceremonial garb that Jor-El wore when pronouncing sentence on criminals in Superman: The Movie.
So does putting people under a spotlight when they're being judged.
- Note that Kandor is a theocracy. That's a long-ass way from the rational, scientifically ruled Krypton we know from movies and TV shows. Something definitely has to change. The scary guy in charge is the Voice of Rao. The giant red sun that Krypton orbits is named Rao. And their monotheistic society is based around a god conveniently named Rao. So yes, Rao is a sun god. Grant Morrison will tell you that Superman is also a sun god. I'm inclined to agree with him.
Anyway, comics and cartoon fans will recognize Superman's preferred exclamation of frustration, "Great Rao!" He was invoking Krypton's sun god. Look at it this way, if Superman could still invoke Rao, then maybe Rao isn't bad as far as gods go, it's just his teachings that have been corrupted by opportunistic assholes. Gosh, it's not like that could EVER happen on Earth, right? Nah, this is science fiction and that's just too far fetched. Right? RIGHT?!?!
One interesting thing about the Voice of Rao and his design is how the multi-faced mask reminds me of the floating blue Science Council heads from the opening of Superman: The Movie that scared the living crap out of me as a kid.
The lettering on his robe is the Kryptonian language. I believe there's a distinction the show makes between what modern residents speak (which is Kryptonian) and the language of the ancients that is used for ceremonial purposes, which is Kryptonese. For the record, in the comics it was always Kryptonese and not Kryptonian, but I'm not going to get too hung up on this. Unless you want me to. But I don't think you do.
I'm sure that the significance of the blue bodysuit and red cape that we see on Val-El in the opening shot isn't lost on anybody, right? Right.
Like most modern interpretations of the Superman legend, "it's not an 'S'" it's a Kryptonian symbol. In this case, it's the crest of the House of El. Up until 1978, it was most certainly an 'S'. That changed with Superman: The Movie (told you I would keep bringing this up), when it became a family symbol, and all Kryptonians wore them. The comics didn't adopt that interpretation for nearly another 30 years, but since then, that's how it has been.
Note that the show has gone with a more "classic" version of the 'S' than what we got in Man of Steel. It's a little smaller, a little more restrained and traditional.
Anyway, Val-El sure reminds me of another member of the El family...
Right? Anyone want to take bets on how many times I can bring up Superman: The Movie when talking about this show? Because really, I'll use any excuse to do it.
Anyway, the REASON he reminds me of Jor-El isn't just because of the fancy 'S' logo and the white hair. But Jor-El was also a renegade who defied his planet's ruling council in the name of science. You'll recall at the start of Superman that not only does the Science Council not believe his discovery that Krypton is going to explode, they explicitly forbid him from trying to leave the planet, for fear it would cause "an atmosphere of fear and panic." So yes, space travel is long outlawed on Krypton.
Here, Val-El dares to suggest that Krypton isn't alone in the universe, and he refused to stop his research (and potential explorations) to the contrary. You can see how his great-grandson Jor-El inherited some of those traits. And you can see how that is passed further down the line, too.
- The platform where they perform executions in Kandor sure reminds me of where General Zod and friends were banished to the Phantom Zone in those sarcophagi that looked like penises in Man of Steel, too.
- I really love that Val-El's final words to his grandson Seg-El are "keep believing in a better tomorrow." That is something that is very much in the spirit of Superman, and a wonderful revolutionary slogan now that I think about it.
- OK, we should probably talk about Seg-El since he's, y'know, the star of the show, right?
Seg-El first appeared in a great comic from 1988 called The World of Krypton, by the powerhouse creative team of Mike Mignola and John Byrne. He was already Jor-El's father at that point, and certainly not the scrappy potential revolutionary we meet here. Also, in the comics his name was spelled Seyg-El.
The name Seg-El (or Seyg-El) is almost certainly a tribute to Superman's co-creator Jerry Siegel.
The Seg-El of the screen reminds me a little bit more of Van-L (not a typo), Seyg's ancestor from hundreds of years earlier, who lost everything when the planet underwent a devastating civil war...triggered in part by the terrorist organization Black Zero. Uh-oh...we hear that name a lot in this pilot. - In World of Krypton, the terrorist organization Black Zero basically empties some kind of nuclear destabilizing agent into Krypton's core, which helps hasten the planet's destruction centuries later. Black Zero was also the name of Zod's gigantic war ship in Man of Steel.
Seg is going to become a member of the Science Guild, which is the first step towards the destiny of his son, Jor-El, who becomes the greatest scientific mind on Krypton.
- Georgina Campbell plays Lyta Zod, and yes, she is you-know-who's ancestor. Her crest here seems to be different than any Zod crest I've ever seen. In any case, those Kryptonian military guild uniforms are sharp. I love that capes are only used for ceremonial occasions, too.
Neither Lyta Zod nor her mother, Jayna, are from the comics...but I'm going to have lots more supplementary info on both of them from my time on the set of Krypton soon enough! Stay tuned!
- Lyta is betrothed to Dev-Em, who is a very different character from his comics counterpart. The Dev-Em of the comics was banished to the Phantom Zone and became an enemy of Superman down the line. The Dev-Em of the show is a little more complicated than that. I love the fact that we're getting a TV show with Dev-Em on it. That's a Phantom Zone villain who has been annoying Superman since like, 1961.
He was a background character in Man of Steel, too.
- As far as I can tell, there is no Nyssa Vex in the comics. There was certainly a Car-Vex in Man of Steel, so I have to imagine this is an ancestor. Wallis Day plays Nyssa with the icy calm of Sarah Douglas' Ursa in Superman and Superman II, although her character is a lot more complex than that. Here's a mild spoiler, folks...if you're looking for an easy villain in this pilot (other than the obvious green guy) you aren't going to find one.
- Nyssa and Seg's trip to the Genesis Chamber in Kandor reveals a LOT about Krypton, though. Krypton has moved beyond physical reproduction and childbearing (but not recreational sex, so that's good). Remember in the opening of Man of Steel where they made a big deal out of the fact that Kal-El was born "the old-fashioned way?"
It's also worth noting that in the comics of the '80s/'90s, not only was natural childbirth not a thing on Krypton, neither was the fun part. Babies were made 100% in test tubes (or "birthing matrixes") and sex was considered primitive and barbaric and love itself was a revolutionary act. I probably have given this point too much thought, though.
ANYWAY...
There's a comics connection to this, too. This whole thing where technology tells you who your child will be, what their profession is, and how long they will live is actually right out of the vintage Krypton stories in the Superman comics. There, kids would go, get themselves scanned, and get "sorted" into different fields. The comics version of Krypton wasn't as strictly classist as the one we see on the show, but you definitely had aptitudes for science, military, politics, etc. This sequence in the Genesis Chamber feels like a nod to that.
- The key to the Fortress is named as a sunstone crystal. Crystal tech wasn't really a thing in the old Superman comics until it became the key technology in Richard Donner's Superman movie in 1978 and its sequels. When Geoff Johns took over the Superman comics in 2006 and started incorporating more elements from the Donner films, the Kryptonian crystals came with him, and I am 99% certain that was the first time we ever heard the term "sunstone" applies to them.
Anyway, having this crystal as the key to the Fortress is very much a nod to how Clark Kent discovers his true alien heritage in Superman: The Movie.
- I don't need to explain the Fortress of Solitude to you, right? Of course I don't. BUT, there are some neat things contained in the Fortress.
- Of course, you all caught the use of John Williams' famed Superman musical theme at key moments, correct? Yet another way that the greatest Superman movie of all time influenced this movie.
- First of all, you'll see those two giant statues. In the comics, Superman keeps statues of his parents, Jor-El and Lara, holding up a giant Kryptonian globe. Here, those statues are intended to represent the first of the line of the House of El, and the globe that they're holding is a representation of Rao, Krypton's giant red sun.
- The star map that makes up the roof of the Fortress is proof of Val-El's research and travels. He has mapped the stars, while the rest of Krypton doesn't believe in life beyond their borders.
- The giant oval windows you see, if you look closely, are covered in luminous Kryptonian lettering. Each of those windows tells the story of a different member of the House of El, each taken from various comics. The only thing is...you can't read them unless you can read Kryptonian. But this is an actual detail that they put into that set, and it's pretty amazing.
- But perhaps the coolest thing of all, is you can spot a weird alien plant in a glass case. That is a Black Mercy, familiar to fans of one of the greatest Superman stories ever told, Alan Moore and Dave Gibbons'"For the Man Who Has Everything." I wrote about that in much more detail here, but the short version is, if you haven't read it, you should fix that immediately.
- Adam Strange first appeared in a 1958 issue of Showcase (Barry Allen, The Flash, had arrived two years earlier in the same book). He was created by Julius Schwartz and Murphy Anderson, which is quite a creative pedigree. The Adam of the comics didn't go to Krypton, but rather the planet Rann, also via Zeta Beam, which also would zap him home at inconvenient moments when its effects wore off.
I wrote much more about Adam Strange here.
Adam Strange is a Detroit Tigers fan. Geoff Johns, DC's Chief Creative Officer and who is a key influence on this show, was born in Detroit. Draw your own conclusions. The idea that Seg thinks the Tigers logo on a baseball cap is a guild logo is pretty hilarious, though.
It's interesting that Adam Strange smokes. What is that weird fake brand that aren't Marlboro red cowboy killers he's smoking? Lamborellos? And who still buys cigarettes in a soft pack?
- The fact that Seg thinks Adam is from "the planet Detroit" is a really subtle and clever nod to Superman II. When General Zod and his buddies arrived on Earth, they thought it was "planet Houston."
- We don't have to mention that Superman's cape here is functioning like the family photo in Back to the Future, right? Everyone caught that? Good. Moving on...
- When Seg is having that conversation with his parents about Adam, the cut of his shirt, and the design around the shoulders, make it look like the shirt/cape combo of Superman.
- Seg's parents, and thus Superman's great-grandparents, are Tyr-El and Charys-El. They aren't from the comics (that I can tell, at least), but Tyr is a reasonably common Kryptonian name, so why the hell not, right?
- A fun detail in the background. You can see Tyr-El's medicine on a table, two gold vials with red liquid in them. Up close, those vials have Kryptonian writing on them that reads "take two drops a day, seven days a week."
- Seg is still a long way off from being a noble superhero, but when he fights those military cadets in the alley at night, he does this jumping punch maneuver that is kind of a Superman-esque move.
We should talk about Brainiac, right?
- Brainiac has been menacing Superman since Action Comics #242 in 1958 (hey, the same year that Adam Strange first appeared!). His MO has always been that he steals cities from the surfaces of planets and bottles them. He's a terrific villain, but has never been done properly in live action...until now.
The version of Brainiac that we're going to get on this show draws heavily from Geoff Johns and Gary Frank's excellent Brainiac story from 2007, which kind of evolved the character into this movie-worthy, terrifying, cybernetic horror show. It's handily one of the greatest Superman stories of the modern era, and the best of my lifetime.
I'm not gonna get into too much more detail for fear of spoiling future episodes, but trust me on this, Superman fans...this is the Brainiac you have always wanted to see.
I wrote much more on Brainiac's road to the screen right here.
- Seg's best friend Kem remains mysterious, as is his background. But if you dig way the hell back in El history, there was a Kem-L. It's probably a coincidence...right?
- Kryptonian currency and the electronic method they use to swap it is "solar chips." You can spot faded posters and fliers in among the graffiti in Kem's bar, and that's the only place in the show where paper is ever used.
Alright, Science Council! See anything I didn't? Let me know in the comments or shout 'em at me on that Phantom Zone of futility, Twitter! (I'm just kidding, we all know Facebook is the actual Phantom Zone...that place is the worst)
I'll be back each and every week to unpack every Superman and DC Comics easter egg you can possibly hope for!